Srirangam Srinivasa Rao Poems Free Trial Periods

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Dissemination of English language during the British rule facilitated easy access in this.

A section of young poets looked for new modes to give vent to their poetic spirit in the altered context.

In the post-war period Impressionism, Dadaism, Imagism, Cubism, Symbolism, Futurism, Realism, Surrealism and the like fascinated them.

Developments in Russia and the International Labour Movement expounding the cause of working class operated as a source of major inspiration for them.

Srirangam Srinivasa Rao, popularly known as Sri Sri, was the pioneer in this direction and was acclaimed as an epoch maker.

Sri Sri- Sahitya Samalochana is a compilation of 20 research papers presented by noted scholars, at the National Seminar conducted under the joint auspices of Telugu Vignana Samithi, Bangalore and Central Sahitya Akademi, New Delhi in December 2009, to mark Sri Sris birth centenary.

Four more articles are included in a booklet as an appendage.

As the title indicates, the writers deliberate on the works of Sri Sri with much diligence and comprehension.

Addepalli Ramamohana Rao gives an enlightening analysis of Sri Sris Magnum Opus Mahaprasthanam, with particular reference to the element of reality perceived from different angles.

S.V. Satyanarayana aptly calls the work a progressive epic, which, he says, is a poetic interpretation of Marxism.

In his article on Prabhava, Kasala Nagabhushanam traces in detail Sri Sris transformation into a progressive poet, with ample quotations.

Dwa.Na.Sastry, while assessing Sri Sris Siprali dwells on the humorous ingredient of the poems and attributes of his parodies.

Kopparthi Venkataramana Murty observes that Anantham though penned as a sort of novel, embedding autobiography, reflects the soul of history of his period.

Diwakarla Rajeswari states that Sri Sris essays are in a way innovative writings exploiting prose to the optimum extent.

Sri Sris original and translated stories demonstrate his command over the genre, contends Ampasayya Naveen.

Khadga Srushti is replete with thematic diversity keeping the common man at the centre stage.

Asajyothi proves how they are embellished with discussions on literature.

Channapragada Jayalakshmi feels that Sri Sris Pra-Ja (Questions and Answers) amply bears out his inscrutable nature.

Markudapuram Srinivasa shares his experiences during the course of his Kannada translation of Maha Prasthanam.

Inclusion of selectpoems of Sri Sri to the book is a welcome addition.

A chronogical list of Sri Sris work would also be a useful annexureif and when the book goes into a reprint.

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Srirangam Srinivasa Rao Poems Free Trial Periods

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